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House On The Edge Of Cemetery / Black In The Green Wreath

by Zinc Room / Sol Mortuus

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about

Split-album of two projects from Ekaterinburg, Siberia, Russia - the well respected noise operator Zinc Room and his old friend Kein, this time performing under the name of Sol Mortuus, previously making music as Carved Image Of Emptiness, Church Of Howling Dog and Prognostic Zero (collab with the same Zinc Room).

First half an hour belongs to Zinc Room and is dedicated to the cemetary theme - eerie groan of pitched down cemetary crows, already familiar roar of distorted steel springs & bass, loops and dense industrial samples. Kein has also participated in Zinc Room recording sessions, playing mysterious cello, keyboards and synths. The result is a quite rhythmical and even melodic recording somewhere between dark ambient and death industrial.

Second part of the disc goes to Sol Mortuus who provided more sophisticated compositional manipulations on the same topic - he used lots of instruments: cello, percussion, flute, guitar, mouth harp (vargan) and also some multi-functional digital electronic shamanism. All this creates quite dense atmosphere with ghostly sounds interwiving in slow otherworldly dance.

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Сплит-альбом двух проектов из Екатеринбурга - давно знакомого нойз-оператора Zinc Room и его давнего приятеля Kein, который в этот раз выступил под псевдонимом Sol Mortuus, а ранее записывался под именами Carved Image Of Emptiness, Church Of Howling Dog и Prognostic Zero (совместный проект с тем же Zinc Room).

Первые полчаса диска от Zinc Room посвящены кладбищенской тематике - жуткий хрип пониженных питчем ворон, записанных на погосте, уже знакомый нам дисторшированный рёв стальных пружин и бас-гитары, петли и плотные индустриальные сэмплы. В записи материала Zinc Room также принял участие Kein, добавив таинственно звучащий виолончель, партии клавишных и синтезаторов. Получилась весьма ритмичная и даже медоличная запись на стыке dark ambient и death industrial.

Вторые полчаса диска отданы Sol Mortuus, который представил нам более сложные композиционные манипуляции на ту же тематику - в записи использовано множество инструментов: виолончель, перкуссия, флейта, гитара, варган, а также задействован многофункциональный цифро-электронный шаманизм. Всё это создаёт довольно плотную атмосферу, насыщенную призрачными звуками, сплетающимися в медленном потустороннем танце.

credits

released June 21, 2014

EDP 014

ZINC ROOM "House On The Edge Of Cemetery"
Alexander 'I' – bass, samples, steel springs.
Kein – synth, cello.
Recorded in 2011-2014.
Mixed by Alexander 'I' and Kein.
Mastered at IHFstudio by Kein in winter 2014.

SOL MORTUUS "Black In The Green Wreath"
Kein – cello, percussion, flute, guitar, vargan, synth, keys, samples.
Recorded, mixed and mastered at IHFstudio by Kein in 2013-2014.

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Evil Dead Productions Yekaterinburg, Russia

Industrial & Post-Industrial Noncoformism Art from the Urals, Russia.

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