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Dissonanz

by Chaotic Bound Systems

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  • Compact Disc (CD) + Digital Album

    Factory-pressed glass-mastered CD in 4-panel digipak.

    Includes unlimited streaming of Dissonanz via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    28
    releases

    Get all 28 Evil Dead Productions releases available on Bandcamp and save 25%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Suite for Frankenstein, Industrial Scum, Zinc March, Carrion, Museum II, Dust Demons, Habal Garmin, Sturm - Licht, and 20 more. , and , .

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1.
Irrealitat 03:45
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2.
Molekulare Asymmetrie 04:00
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3.
Duality 06:10
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4.
Theres No Next Door 04:36
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5.
Another Temptation 05:14
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6.
Time for Nothing 04:42
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7.
Destructive Phase 03:00
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8.
Dissonanz 05:51
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about

This time I will be extremely brief: the one who manages to extract harmony from dissonance is a true master. The second album of the Yekaterinburg one-man project Chaotic Bound Systems is an example of true deep skill and genuine talent. Even more full-bodied, diverse and melodically more complex and multi-layered than the previous album "No light", but at the same time more transparent. Paradoxically, despite the abundance of instruments and their seemingly dissonant parts, the album has a lot of free space and air; there is not even a shadow of slowness and heaviness in it - which often happens with avant-garde jazz improvisations. Dissonance as a non-trivial and rare means of expanding the musical horizon, and consciousness. Depths and completeness of perception.

– Providiy-137

# # # # # # #

На этот раз буду предельно краток: тот, кто сумеет извлечь из диссонанса гармонию – истинный мастер. Второй альбом екатиринбургского one-man проекта Chaotic Bound Systems и есть пример истинного глубокого мастерства и подлинного таланта. Ещё более полнозвучный, разноплановый и мелодически более сложный и многослойный, чем предыдущий альбом "No light", но вместе с тем более прозрачный. Парадоксально, но несмотря на обилие инструментов и их, казалось бы диссонирующих партий, в ткани альбома много свободного пространства и воздуха; в нём нет и тени неповоротливости и тяжеловесности – что нередко случается с авангардными джазовыми импровизациями. Диссонанс как нетривиальное и редкое средство расширения музыкального горизонта, а в месте с ним – и сознания. Глубины и полноты восприятия.

– Провидий-137

credits

released March 20, 2020

EDP 024

Andrey Z. Kein – sax tenor, guitar, piano, cello, percussion, synth.
Recorded, mixed and mastered by Andrey Z. Kein at IHF studio in 2019-2020.
Photos by Alexander i. Layout by Andrey Z. Kein.

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Evil Dead Productions Yekaterinburg, Russia

Industrial & Post-Industrial Noncoformism Art from the Urals, Russia.

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